Canon 7D #4 Image Quality

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Canon 7D with EF 300/2.8L IS at 1/800 second, f/5,6 and ISO 400.

TYPE OF TEST: CFR-2 (What does this mean?)


Canon 7D and Image Quality

Ok, let’s talk about Image Quality.

Many photographers have been evaluating the Canon 7D image quality. Most of the tests show satisfying and outstanding results. But not everybody’s happy. Why are we seeing so many different opinions about the same camera? One answer is that the test situations are different; file format, raw-files with no editing or finished files with editing. Lens quality is also extremely important.

Another fact is that no two photographers are exactly alike and there will always be some differences about what people think about image noise, sharpness, colors etc. The discussions and tests rarely focus on what can be achieved with these cameras. Is a picture perfect because it has no noise and is extremely sharp? Have we evaluated the composition, the passion, and the story the photographs are attempting to communicate to the viewer?


Image quality and file format

In my first beta test of the Canon 7D I was shooting with “raw + jpg”, because I could only judge the results from the jpg-files. After that I looked through thousands of raw files, and there were some differences in the files. This was not unexpected since the jpg files had already been through some kind of image editing (sharpening, contrast, saturation, color space etc.). It surprised me that the raw files had that much less sharpness than the jpg files (set to standard sharpening). Therefore, many of the raw files from the Canon 7D need more sharpening in post processing than the 5D mark II or 1DS Mark III. What’s the reason for this?

I have been told that the 7D has a stronger low pass filter in front of the image sensor; stronger than in other Canon cameras. This will reduce the image noise but it can also reduce sharpness. This is one of the reasons why full-frame sensors are usually better than 1.6 crop sensors. There is also more noise in the raw files from the 7D, than full frame cameras like 5D Mark II and 1DS Mark III. In my opinion the 7D is better than 50D for noise; some place between the 50D and the 5D Mark II and 1DS Mark III. It’s not difficult to increase the sharpness and reduce the image noise in post-processing afterward.


Image Quality and raw-file processing

I usually use Adobe Lightroom (LR) for importing and developing of raw files, and then converting them to 16 bit tiffs for the final tweaking in Adobe Photoshop CS4 (PS). In LR 2.5 it is possible to process raw files from the 7D, but the “camera calibration” could only be set to “Beta”. I also felt that the 7D raw files had more noise and less sharpness compared to using Canon’s own Digital Photo Professional (DPP). I develope most of the raw-files in this tests from 7D with DPP and then export them as 16 bit tiffs for editing in PS. This is a much slower workflow than my normal use of LR. The newer LR 2.6 is only slighter better than LR 2.5. Hopefully, the still not released LR 3.0 will give us even better processing of raw files from the 7D. It sometimes takes a few months before software is fine tuned for specific cameras.

Later in this blog under “Image Quality and sharpness” I have some example images developed in LR and DPP (sorry no Aperture).


Image quality in highlights

To be honest I´m quite impressed with the dynamic range in highlights from 7D raw files developed in DPP. Below are some images taken with 7D and 1DS Mark III, on a bright sunny day on the Falkland Islands in November. It may be difficult for most cameras to achieve the tonality in the highlights, but I think the 7D does a very good job!

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Canon 7D with EF 300/2.8L IS at 1/2000 second, f/6,3 and ISO 400. Developed in DPP (with Noise Reduction) + Nik Efex Pro to lighten up the shadows.

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Canon 7D with EF 300/2.8L IS at 1/2000 second, f/6,3 and ISO 400. Cropped version. Developed in DPP (with Noise Reduction) + Nik Efex Pro to lighten the shadows.

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Canon 7D with EF 300/2.8L IS at 1/2000 second, f/6,3 and ISO 400. 100% view. Developed in DPP (with Noise Reduction).

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Canon 1DS Mark III with EF 300/2.8L IS at 1/1250 second, f/7,1 and ISO 400. Cropped version.

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Canon 1DS Mark III with EF 300/2.8L IS at 1/1250 second, f/7,1 and ISO 400. 100% view. Developed in DPP (Highlight -2).

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Canon 7D with EF 300/2.8L IS at 1/1250 second, f/8,0 and ISO 400. Developed in DPP (with Noise Reduction).

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Canon 7D with EF 300/2.8L IS at 1/1250 second, f/8,0 and ISO 400. Cropped version. Developed in DPP (with Noise Reduction).

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Canon 7D with EF 300/2.8L IS at 1/1250 second, f/8,0 and ISO 400. 100% view. Developed in DPP (with Noise Reduction).


Image quality and sharpness

I used the 7D as an action camera on the Antarctic Expedition in November and shot mainly with a 300/2.8 (85%) and the 70-200/2.8 (10%). Only 5% of the images were shot with a 16-35/2.8 and a 24-70/2.8. Due to heavy weight and a lot of extra HD video equipment, I didn´t take along my beloved 600/4.0 which I normally use for wildlife photography.

It’s difficult to write about sharpness because opinions may differ from person to person. If I upload an image which I don´t think is sharp enough, there will be some that disagree with me. Some of you will also disagree about pictures I think are sharp. It might be best to show you some images taken with 3 different cameras. You can then decide for yourselves.

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Canon 7D with EF 300/2.8L IS at 1/320 second, f/9,0 and ISO 200. No cropping. Developed in Lightroom 2.6

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Canon 7D with EF 300/2.8L IS at 1/320 second, f/9,0 and ISO 200. 100% view, developed in Lightroom 2.6

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Canon 7D with EF 300/2.8L IS at 1/320 second, f/9,0 and ISO 200. No cropping. Developed in DPP

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Canon 7D with EF 300/2.8L IS at 1/320 second, f/9,0 and ISO 200. 100% view, developed in DPP


And now over to the Canon 1DS Mark III camera.

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Canon 1DS Mark III with EF 300/2.8L IS at 1/125 second, f/8,0 and ISO 200. No cropping. Developed in Lightroom 2.6.

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Canon 1DS Mark III with EF 300/2.8L IS at 1/125 second, f/8,0 and ISO 200. 100% view, developed in Lightroom 2.6.

And finally, the Canon 5D Mark II camera.

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Canon 5D Mark II with EF 300/2.8L IS at 1/160 second, f/9,0 and ISO 200. No cropping. Developed in Lightroom 2.6..

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Canon 5D Mark II with EF 300/2.8L IS at 1/160 second, f/9,0 and ISO 200. 100% view, developed in Lightroom 2.6.


Which camera do you think gets the sharpest pictures? It may have been difficult for most of you to guess if I didn’t tell you.


Image quality and colors

For me it is also important that the raw files have great tonality to the colors. In the pictures below I have some examples of birds photographed in bright sunlight and yellow backgrounds, which can be difficult situations to shoot.

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Image and Highlight Tone Priority

Here are some images I took in Antarctica that I was not 100% satisfied with. These shots show increased noise and lack of sharpness in shadow areas bordered with bright backgrounds. In such situations I usually activate “Highlight Tone Priority” (CF.II – 3). I love to use this function in situations with difficult highlights, but when you give priority to the highlights you will compromise the quality of the shadow areas. This is especially prominent in picture #3 below which is developed in LR 2.6. After this experience I will only use Highlight Tone priority in situations where there are no important details in the shadows. So my advice is, be careful about activating Highlight Tone Priority on your Canon 7D camera.

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Canon 7D with EF 300/2.8L IS at 1/1250 second, f/6,3 and ISO 400. No cropping. Developed in DPP.

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Canon 7D with EF 300/2.8L IS at 1/1250 second, f/6,3 and ISO 400. 100% view, developed in DPP.

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Canon 7D with EF 300/2.8L IS at 1/1250 second, f/6,3 and ISO 400. 100% view, developed in Lightroom 2.6

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Canon 7D with EF 300/2.8L IS at 1/1250 second, f/6,3 and ISO 400. 100% view, developed in DPP

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Canon 7D with EF 300/2.8L IS at 1/1250 second, f/6,3 and ISO 400. 100% view, developed in DPP


Conclusion and recommendations

Ok, so what more can I say about the image quality of the 7D?

First of all the Canon 7D is a great camera, especially suited for action photography when fast AF-tracking is needed. The sharpness is very close to my 5D Mark II and 1DS Mark III full frames cameras. Sometimes I don´t think I can see any difference at all, but under some lighting conditions, like low contrast light, I prefer the 5D Mark II and 1DS Mark III.

Regarding the noise issues, I see more noise in the pictures from the 7D 1.6 crop factor, than my 2 full-frame cameras. This is especially noticeable in the backgrounds. This is not surprising. Maybe I should have tested the 7D against other 1.6 crop factor cameras…

The image quality is highly dependent of what kind of lenses you use. If you use high quality glass you will also get high quality images. Too many people forget about this.

LR 2.5 and LR 2.6 are in my opinion not yet optimized for developing and editing raw files from 7D. I hope Adobe will soon release Lightroom version 3 with optimized code for 7D files, to compete with DPP. I really love Lightroom, but I am not impressed how LR deals with my 7D raw files. For best image quality from your 7D raw files you should use the Canon DPP software.

Some photographers are not satisfied with the details in the highlights, but I think the 7D performs very well here. I can´t see any big differences at all when I compare the 7D against the 1DS Mark III. NB: I have only done outdoor field tests, so maybe with a “lab” test we may see some differences.

I think some images form the 7D need more sharpening in final edits than images from my full frame cameras. It also seems that the raw files from 7D don´t survive hard editing (adjustments in Levels, Curves etc.) as well as the 1DS Mark III and 5D Mark II files. The raw files from full frame cameras appear to have more dynamic range – not really surprising!

Canon 7D files are much larger than files from 1D Mark III / Mark IV. This is a big advantage when I’m outputting to a large format printer.

Be careful when using “Highlight Tone Priority” since it can sometimes reduce quality in the shadows!

And finally, the Canon 7D is a most excellent camera, better than I had expected from 1.6 crop-factor cameras. The image quality is not as good as the 5D Mark II and 1DS Mark III, but it’s close. In many situations it is very difficult to see any difference! I can highly recommend this camera, and I will use it on expeditions and assignments until maybe upgrading it for a Canon 1D Mark IV. If you already own a Canon 7D, I encourage you to enjoy it and don´t pay too much attention to photographers who aren’t satisfied with it. The most important thing is that you are satisfied.

Ole Jørgen Liodden


Thanks to Bob Baillargeon for copy-editing!

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28 Responses to “Canon 7D #4 Image Quality”

  • Alberto:

    Thanks for your tests and your wonderful shots that virtually take me in really harsh treks in far places. I think that open field test are much more useful than lab ones, as 99% of photos are made in conditions in which you cannot control all the light/camera factors.
    I own a 7d since November 2009, and I can recognize some noise in the pictures after 400 iso in raw files without noise reduction controls. I use DxO Optics 6,1,2, which supports the 7d and also many canon optics, and I am really satisfied both with the overall image quality (sharpness, noise control, details, etc) and with the dynamic range which is very good, using this program, even with intentially under or overexposed files. I also used Canon Dpp, which extracts a lot details increasing the sharpness factor and controls noise and chromatic aberrations (in some high contrast shots, I found some purple fringing effects which are easy controllable in post production), but it is not as good as dxo for what concerns dynamic range.
    I am quite impressed by jpeg files obtained by the camera, that are sharp and clean from noise, but I usually shot in Raw, but the reason why I am so impressed by the 7D is that helps me to obtain very good pictures in almost all the conditions I might encounter. Also for me is Highly recommendable!

    Regards

    Alberto, Italy

  • Ghile:

    Thanks a lot for your great reviews!
    I’m actually going to buy one next week, because I can’t afford a 1D mark IV (yet!). Too bad it’s a 1.6 crop factor camera though, it’s hard to have 18M pixels and no noise at all!
    Cheers!

  • David Steck:

    This is probably one of the best and most balanced reviews on 7 D published up to this date. Own a 7D also and would agree with many results in the serie of tests, relative to shooting sports and arts (my areas).
    7D seems to me to be the next best solution if no 5D Mark II, 1DS Mark III etc, full frame solution is at hand.
    Shooting in lowlight conditions: full frame solutions seem to be superior as regards using sensibilities superior to 800 or 1000 ISO RAW but obviously this seems to be an understatement
    Thanks for publishing these excellent articles!

  • Chio:

    Hey,

    Thank you for all of these reviews. I’m using an EOS 50D and I often have to shoot at higher ISO speeds. I’ve done my own tests and clearly, the 7D has less noise. It is the best APS-C camera right now, but because I don’t have it anymore (I’m going to buy it soon, I guess), I’d like to thank you for these auto focus articles.

    Indeed, it’s not close to FF cameras but is much better than any APS-C currently.

  • Y:

    Outstanding review again! 2 questions:

    1. 300/2.8 (85%) vs 70-200/2.8 (10%). 300/2.8 is much sharper than 70-200? I thought 70-200 is much easier for composition outdoor.

    2. In some shots, it seems it’s hard to made water more crystal, even you shot at 1/1250 second and 1/2000 second, it seems the water is still moving. At the same time the animals nearby are sharp enough. Does it mean it’s not possible to made water more crystal?

    e.g. http://canonfieldreviews.com/wp-content/uploads/2009/12/2009110905c2-2.jpg
    http://canonfieldreviews.com/wp-content/uploads/2009/12/2009110692c-2.jpg

  • Roland:

    Hi
    Thank you very much for this great field review on the Canon 7D which I also bought recently and I’m very happy with. Concerning the development of raw files with Lightroom 2.6 I’d like to ask you whether it would be advantageous to convert the original raw file to the DNG-format first and do the editing in this format. I’m a beginning photographer and do not know much about these technical issues.
    Thanks again for this great site.

    Roland

  • I have a 7D and purchased it right before a week of shooting bald eagles at Conowingo Dam, Maryland. Almost every shot was unusable. I sent it back to Canon and the autofocus was off and needed to be fixed. I have read many reports of soft images and poor IQ with the 7D on the web, but every review I read is from someone who requested a new body or none at all. No reviews state that they sent their camera back for repair and still are displeased. So now the camera takes much better images. I still think that I expected more for the money in terms of IQ, but without upgrading to a full frame sensor, you just have to accept that the cost of a 1.6 camera is largely for features, not for IQ. And the video is awesome.

  • Again, thanks so much for this in-depth analysis. I find your IQ results to be inline with mine; thank you for this detail. I also want to suggest that people take advantage of the lens micro adjustment for lenses people know to be good on other bodies, as this makes a world of difference.

    Thanks again,
    David

  • Doug:

    Thanks again for all the amazing reviews of the 7Ds features and performance in the field. In your assessment, you point out that LR 2.6 is still playing second-fiddle to Canon’s DPP when it comes to the RAW files. As Roland brought up the DNG file format above, what is your opinion on converting the Canon RAW file to a DNG file and running it through LR that way? Obviously there is a large debate on the pros and cons to the DNG format, but do you think this might make a difference in LR’s ability to produce a higher quality image than when it is working from the CR2 file? Or are DNG files something best avoided in general?

    Doug

  • I agree on the MA comment. My brother-in-law did this and the results were awesome. I am still saving for my 7D and I can only hope for pictures of your quality.

  • Luca Viola:

    Hallo Ole, I’m trying to use LightRoom, but I have this trouble: when I import RAW files, in the preview they appare correct. But when I select an image and make a larger preview, or worst, I go to develop module, the white balance changes at all.
    So the pictures taken in low light become yellow and B&W images becames coloured images (something like it doesn’t care about camera setting).
    Do you know why that happends?
    I have LR 2.6 and also I’m testing LR 3 Beta…

    I have no trouble at all with DPP, of course.

    Thanks a lot.

    P.S. may I tell a thing? I hope DPP would grow, including some features that are present in LR and also in opponent Nikon software (even if it has to be payed)!

  • JR:

    Thank you VERY much for this interesting real-life multi-part review :) It seems that some of the best Windows and Mac software have some trouble rendering perfect RAW images… DPP, LR and other ones do not work properly under Linux… but we got Bibble and LightZone ! Did you have any opportunity to test one of these with the 7D’s RAW files ? Thx again for sharing :)

    JR

  • admin:

    Hi Luca

    I don´t think converting to DNG will help you much in Lightroom.
    You can press “W” and select a neutral tone in your image to get desired WB, If the WB changes in Develop mode.

    OJL

  • admin:

    Hi JR

    I have just downloaded Bibble 5, and at first glance it seems much better than LR 2.6. Bibble have Noise Ninja plugins, that I really like. It also looks like the Capture One (Phas eOne) are better than LR..
    I hope to publish an update with pictures taken with Bibble 5 within a few days…

    OJL

  • admin:

    Hi David

    Very good point about Micro Adjustments!!

  • admin:

    Hi Y

    To freeze all fast motions I shoot with 1/5000 sec.
    300/2.8 is very sharp, but I also are very satisfied with the 70-200/2.8

  • Kevin:

    Excellent review. Very objective. Love my 7D. I am an amateur and it is great to see how 7D can be used in professional setting. There is just so much to get out from this camera and we haven’t get to the video part yet. Thanks a lot!

  • You’ve done a good series of reviews Ole. I did a mini-review back in October, based on first impressions and did an update a few weeks ago, after more use. I have pretty much found the same as you. I don’t have the opportunity to do a direct comparison to the 5d Mk II and 1Ds Mk III like you have done, but I do have some impressions compared to the 40D. As you might expect, the detail level is much higher. Like you, I find that LR does tend towards soft images, but I am able to apply moderate sharpening to give an image as sharp as the 40D (albeit at a higher resolution). I tend not to sharpen much for stock purposes though, so there should be a fair amount of headroom. Also, the 3.0 beta indications from some brief trials I did suggest it will handle RAW files from the 7D better than 2.6 (noise and sharpening). I have also found it is pretty much a full stop better at controlling noise than the 40D (not bad considering the extra 8MP), but it does depend very much on getting the exposure spot on and too many shadow areas can cause problems of course. I recently took some photos of water rails in the snow and ice at ISO 1600, with very minimal noise and loss of detail, something that would have caused significant noise levels in the 40D (which seems to have less noise than the 50D from the few images I’ve seen from that camera).
    The one area I have encountered some problems, is when photographing wildlife against a bright background in low light, such as silhouettes against ice or reflected sunsets, where the contrast areas lack sharpness. Of course, in these situations, the ISO has to be increased, due to the low lighting, so that is probably a factor too, as is autofocus in low lighting potentially.

  • jens wende:

    Dear Ole, thank you very much for your review. I own my 7D since thursday last week and I am testing it with my EF 70-300 f/4,5-5,6 DO IS. My lens isn´t easy to handle, but when I consider the old rule “focal length to shutter speed” my pictures will be better and better. I shoot in RAW and try to qualify them in DPP.

  • Gary Ross:

    Thanks for your review,I want and plan to purchase the 7D in the next few months. However,I have concerns about I.Q., can you explain and elaborate on the lens MA (micro ajustment) to improve image quality. Thanks.

  • Rock:

    Ole — I’ve enjoyed reading your reviews. I’ve found similar results with my 7D. Here’s a tip: Aperture 3 gives visibly better results processing the RAW files. Better than DPP or LR3beta or Adobe CR. I was surprised, but the noise is about a 1/2 to 1 stop better in A3 than the others. Better detail, too. Give it a try.

  • Felice De Falco:

    Ole,

    thanks for being so picky with this article. I too, like most everyone else here, believe the 7D is the best piece of technology in the APS-C universe period.

    And agree also with whom say you can’t beat noise with this 18mp sensor. My 40d shows probably less noise up to 1600 ISO.

    Needless to say I purchased my copy of the 7D and shall be receiving it tomorrow.
    Can’t wait to get my long lasting test.

    Thanks again,

    Felice,

    ITALY

  • Gary, the microadjustment adjusts for either front of back focusing of the camera/lens combination. With any electronic system, there is slight variation, due to manufacturing tolerances. Laws of average suggest that when two or more systems are joined together, any variations cancel out, but it isn’t always the case. My 100-400 in particular front focuses quite badly when coupled with the 7D (I think it also does with my 40D to a lesser degree also), with slight front or back focusing with other lenses. With the microadjustment, those slight focusing errors can be adjusted. Generally, the errors are very slight and not noticeable, until you adjust to get it spot on and even then, there is alway slight variation between shots if you look closely enough, but eventually you start to imagine things, at which time, it’s best to take a break and give your eyes a rest or give up completely.
    Felice, from experience, my 7D is about a stop better than my 40D at controlling noise. Up to ISO 400, there isn’t any noticeable difference between the two cameras, but from ISO 800 it is more noticeable, to the point, that at ISO 1600, there really isn’t any comparison, with the 40D showing noticeable noise and softening and if there are alot of shadow areas, it can even start to show some banding. Even at extreme ISO settings, the 7D doesn’t show any banding, even at the highest setting, which is a big improvement, although I would only use ISO 3200 as an emergency and probably wouldn’t bother with ISO 6400, except for my own use. The 40D is pretty much unuseable at ISO 3200, for anything but personal record shots.
    While the RAW images are softer than I would expect when using LR, they can take much more sharpening before they start to look unnatural.

  • Hans Schipper:

    I own a 7D since a couple of months and just returned from a skitrip into Rondane.
    We got lots of beautiful weather with very clear skies so very good circumstances to test my camera. I’m not a professional so my standards a probably somewhat lower, but I am very impressed about the image quality of the camera, especially the sharpness of the images and the dynamic range (I used the camera in combination with the kitlens 15-85mm). The limitation of the images has been my quality as photographer and not the equipment.
    So I’m very satisfied with this camera and know that the quality of my images will improve as my knowledge as a photographer improves. Therefor I’m very interested in you’re “how to” book on nature photography.

    Regards,
    Hans

  • troy:

    i ADORE my 7d, especially since i had a 50d before, which, in good light was magnificent! in low light… well… thats why i sold it.

    the 7d has constantly flustered me with its focus points and im still struggling to get the idea with it?

    its low light, and high speed performance are nothing short of amazing! i have recently upped the sharpness in the settings and im yet to test it out, maybe today, im excited to see how much better it will be.

    wont swap it for anything…. well anything short of a 5d :)

  • Col:

    Very interested in all this discussion, as I am currently a 40D user (since 2007) and looking to upgrade this year… but… I am soooooo tempted by the IQ and low light/ high ISO noise levels of the 5D mkII… but, I do plenty action photography (mostly fishing) and I’m soooooo tempted by the 7D’s improvements in speed and autofocus…. What to do, what to do??? What’s coming from Canon this autumn, I wonder????

    Regards,
    Col

  • i own several Canon L Lenses and they have the best quality. even better than Nikon.;’”

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